By Dr. Patrick Slattery — Last month while scanning the Jewish press as part of my daily duties in putting together my Ziowatch news roundup, I stumbled across a Jewish Telegraphic agency article entitled “Nicki Minaj’s Nazi-esque video.” Having no idea who or what Nicki Minaj was, I wondered whether this was not another example of Jewish paranoia, like the “Hitler teapot” advertisement from J.C. Penny last year. So I read on.
“The Holocaust is a sensitive subject. Some people, however — like rapper and songwriter Nicki Minaj — still don’t seem to get it. Minaj’s new music video for her song “Only” is coming under fire for seemingly glorifying Nazism and appropriating Nazi imagery. In it, the New York-raised star is re-imagined as a powerful Hitler-like dictator, marching through scores of deferential soldiers outfitted in black uniforms and red armbands. It’s shot mostly in black and white, evoking the style of Nazi propaganda films, and the only color comes from red banners with a black “YM” insignia (representing Minaj’s label, Young Money) imposed over a white circle. Similarities to banners bearing swastikas are not in the least bit subtle.”
Having read this description, I still wondered whether the whole thing was not an over-reaction. The video, which was animation from start to finish, was indeed “mostly in black and white,” and the Nazi’s did produce films in black and white as that was the technology of the 1930s. However, they were also among the first to make use of newly invented color film making.
Also, I suppose that black uniforms with red armbands may be associated with Nazis, but of all their atrocities both real and imagined, fashion crimes would not be high on the list. They were, if anything, sharp dressers.
More than that, I was still unclear just what all of this had to do with Holocaust sensitivity, given there was no mention of cowering innocents being rounded up for cattle cars and concentration camps. I decided to watch the video supplied at the bottom of the page.
Just above the video were the words “(Warning: This video contains explicit language.)” Funny, I thought, that the Jewish Telegraphic Agency Article would take offense at black and white cimenatography but be completely uncritical of explicit language. Seeing as the article had taken offense only at “Nazi imagery” and not at all at the lyrical content, and not being much of a fan of rap, I proceeded to watch the video with the mute on.
As it turned out, the machine-gun rhythmed lyrics were super imposed on the screen. And the lyrics, the actual contents of the song, in no way “glorified Nazism.” To the contrary, to sahttp://www.metrolyrics.com/lookin-ass-lookin-ass-nigga-lyrics-nicki-minaj.htmly that it glorified obscenity would be very much an understatement. The lyrics, which were rapped by Miss Minaj and three male rapper friends, were about their sexual exploits with one and other, whether real or imagined. Interestingly, we know from Professor Josh Lambert of the University of Massachusetts that Jews “assert their Jewishness by glorifying obscenity.”
Of course, the Miss Minaj and her three cohorts appeared to be blacks in the video. However, upon quick investigation, I found that the Young Money record label that Minaj is signed to is owned by Universal Music, which is run by Jewish CEO Lucian Grainge. Grainge’s power in the music industry is so great that, according to the Jewish Business News, he “broke a record by having every one of the top 10 records on the Billboard Hot 100 charts come from a label that he controls.”
Having heard from a seventh grade girl that Miss Minaj is the most popular female rapper in her urban but by no means ghetto school, I decided to look into her body of work a bit more closely. I found that “Only,” the song mentioned above, had over 19 million hits on Youtube. Another one of her songs, entitled “Lookin’ Ass [N-word]” also has over 19 million hits.
In this video, Miss Minaj, dressed in little more than fishnet, proceeds to rap out a total of 448 words, 42 of which are the N-word, both in its singular and plural forms. The next most common word in the song is the pronoun “I,” which was used 28 times. Next comes “ass” at 22 times. She dropped the “f-bomb” 5 times, twice using it as a verb.
She rounded out the song with “p**sy” three times, “b**ch” three times, and “d**k” twice. Both “sex” and “Clinton” got an honorable mention.
She has a song called “High School” which is about Gangsters, presumably drug dealers, in the midst of some transaction at a California mansion, with Minaj and her male duet partner rapping most explicitly about the sex they enjoy. They go on to act out those lyrics, leaving as little to the imagination as possible.
And then there is her song “Anaconda.” It consists of repetitive references to and close-ups of her hind parts. I didn’t bother to run the lyrics through my word-counting program. The full shock comes from the contextual usage of those words. While I hate to use the pages of Dr. Duke’s website for such depravity, the following is a passage from “Anaconda:”
This dude named Michael used to ride motorcycles
D**k bigger than a tower, I ain’t talking about Eiffel’s
Real country-ass n**ga, let me play with his rifle
P**sy put his ass to sleep, now he calling me NyQuil
Now that bang, bang, bang
I let him hit it cause he slang cocaine
He toss my salad like his name Romaine
And when we done, I make him buy me Balmain
I’m on some dumb s**t, by the way, what he say?
He can tell I ain’t missing no meals
Come through and f**k him in my automobile
The main Youtube video for this song got over 340 million hits, which means countless millions of our young people of all backgrounds have watched this over and over again. And “Anaconda” is not even her most watched video.
But can we really blame the Jewish supremacists in the Zio-media for the Minaj phenomenon? Absolutely! They promote her at every opportunity. The TV ads for “The Interview” (the “Seth Rogain film whose release the North Koreans thankfully have blocked) featured her. She is all over television — especially live television where she can expose herself without expectations of censorship. And not just late-night hipster television. She had a famous “wardrobe malfunction” on “Good Morning America,” which is largely watched by mothers getting their kids ready for school. Since then, she has had wardrobe malfunctions on shows from “the Ellen Show” to MTV’s “Video Music Awards.” That the Jewish-owned and run MTV honors Miss Minaj and her “music” says it all.
The whole thing has become such a joke that recently she had a wardrobe malfunction while being interviewed about her wardrobe malfunctions by a talk show host named Andy Cohen!
So this pornographic rapper has the full support of the Zio-media, from record labels to television venues to Hollywood movies. Could it be any clearer that the objective is to thoroughly destroy the moral character of our youth, to overstimulate their senses and de-sensitize them emotionally, to lure them into a lifestyle of sex and drugs and obscenity so as to preclude them from a healthy future. Is not the ultimate goal to get them addicted to vice in order to stunt their development and prevent them from forming normal family relations? In this way, the next generation can be compliant slaves willing to take part in their own genocide.
